"With advanced degrees in musical performance and voice, and captured by the culture, spirituality and music of Candomblé, Bahia-born Irma Ferreira began a profound investigation of her Afro-Brazilian roots...  (her) first solo album release, Ém Cantos de Orisá, bears the fruit of her investigation, borrowing both chants and melodies from Candomblé’s trove of devotional works. The chants have a more liturgical sound, while the songs suggest more secular themes. Pronounced percussion, typically expressive of the the more bellicose orisás, such as Sango, the spirit of thunder and lightning, and Ogúm, the warrior lord of iron and steel, yields to a more melody driven sound in Ferreira’s interpretations. The instrumentation, a blend of Western and Afro Brazilian, provides a felicitous, understated backdrop for her vocals." - RootsWorld

He has brought a modern political and aesthetic sense to the music of his home- Cyprus. Kkismettin (fate- destiny- kismet) was made during the pandemic lockdown we have all lived with- and Antonis took this as an opportunity to create new songs that could speak in various ways about that loss of freedom- and its parallels in the rest of our lives.