• Photographer and WPKN volunteer Ralph Baskin from Ridgefield has printed a series of 5 images on 5 x 7 card stock with envelopes.  10 packages available with 5 cards.  Pledge $60 The cards are custom printed and are scenes from the WPKN area - Silver Sands State Park in Milford, Pequonnock River Valley in Trumbull, and Sherwood Island State Park in Westport. Learn more about Ralph at RalphBaskin.com
  • From Kenya's Ubuntu Life. Massai Maker-Mums create these beaded bracelets with proceeds going to help their center for children with disabilities.
  • Sale!
    Short Sleeve WPKN Record Logo (designed by Martha Willette Lewis) in Black or Natural, 100% Ring-spun, Cotton T-Shirt.
  • 'Skully' Knit Winter Hat /w WPKN Oval Logo
  • Kobo Town: Carnival of the Ghosts Pledge $50

    Kobo Town continues to redefine calypso music and pushes the boundaries of the Caribbean sound with its fourth album. Behind the running social commentary and satirical mood, this is a collection of songs about the human condition – about our quirks and foibles, our anxieties and hopes, and the haunting sense of impermanence that imbues our every moment with its urgency and priceless worth. Named after the storied district in Port-of-Spain, Trinidad, where calypso was born, Kobo Town has been described as “an intoxicating blend of lilting calypsonian wit, dancehall reggae and trombone-heavy brass” (The Guardian) and a “unique, transnational composite of rhythm, poetry and activist journalism” (Exclaim!). “Kobo Town conjures an orphic force and reminds the listener of the vanity of all worldly things.” (RootsWorld) Since their founding in 2005, the group has brought their distinct calypso and ska-inspired sound to audiences across the world.
  • Black & White Baseball Cap w/WPKN Record Logo
  • WPKN Record Logo Cork Turntable Mat
  • About the Product

    Candlewood’s WPKN Blend: Deep Waters Dark Roast Ground Coffee

    Start your morning out in some Deep Waters! Roasted and packaged by the Candlewood Crew. Our production facility is located in Brookfield, Connecticut. We have chosen only the finest coffee beans to assemble our dark roast blend. Deep Waters coffee blend, makes a very rich and full-bodied pot of coffee. We take pride in not over-cooking our dark roast, avoiding that unpleasant burnt coffee flavor (Bleh!) Bag Weight: 11oz Ground Coffee 100% Pure Arabica
  • Black & White Baseball Cap w/WPKN Oval Logo
  • Polobi and the Gwo Ka Masters’ Abri Cyclonique is largely the production work of Irish-Parisian producer Doctor L – aka Liam Farrell. This record doesn’t sound anything like traditional Gwoka drumming and singing, which is what 69 year old Creole singer and drummer Moise Polobi, from Petit-Bourg, Guadeloupe, became obsessed with as a boy. Eventually, he became a master of toumblak, a prominent Gwoka rhythm; he also joined drum, vocal, and dance troupe Indestwas Ka, who have recorded multiple albums and toured France and Canada. Musically,  Gwoka demonstrates one more infectious, celebratory example of African musical tradition in the Caribbean.
  • The music on this collection- recorded during the 1970s and early 1980s, arguably Nigeria’s most musically fertile and innovative period- is highlife getting a much needed makeover. Like the bigger names from eastern Igboland such as Celestine Ukwu, Chief Stephen Osita Osadebe, or Ali Chukwuma, Alhaji Waziri Oshomah and his bands de-emphasized the jazzy swing and large horn sections of highlife’s outdated past, and instead, brought local rhythms to the foreground, allowing electric guitars and keyboards to drive languorous, unhurried melodies for extended grooves. Luaka Bop’s latest in its 'World Spirituality Classics' series demonstrates Waziri’s leisurely approach with a collection of 7 songs anywhere from 8 to 17 minutes long.
  • "With advanced degrees in musical performance and voice, and captured by the culture, spirituality and music of Candomblé, Bahia-born Irma Ferreira began a profound investigation of her Afro-Brazilian roots...  (her) first solo album release, Ém Cantos de Orisá, bears the fruit of her investigation, borrowing both chants and melodies from Candomblé’s trove of devotional works. The chants have a more liturgical sound, while the songs suggest more secular themes. Pronounced percussion, typically expressive of the the more bellicose orisás, such as Sango, the spirit of thunder and lightning, and Ogúm, the warrior lord of iron and steel, yields to a more melody driven sound in Ferreira’s interpretations. The instrumentation, a blend of Western and Afro Brazilian, provides a felicitous, understated backdrop for her vocals." - RootsWorld

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