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It's a year and a half since Simon Emmerson, the founder and guiding light of Afro Celt Sound System, died. But the band lives on, playing a fresh set of dates to coincide with the release of OVA, Emmerson's swansong with the group. It's a beautiful piece of work, and from the opening notes of "The Hawk Owl's Lament," which swoops and glides, rises and dives like the bird, everything is pitched just right. It's a reminder of just what he achieved with Afro Celt Sound System, as well as all his other projects. He was the imagination behind them all, and the glue that held them together. Chris Nickson, in his review in RootsWorld. -
Mbalax rhythms underpin split-second horn blasts, hypnotic, stoned discharges of Seck’s fuzz-drenched lead guitar, and Sarr’s deep, soaring vocals on the long awaited return of Senegambian band Dieuf-Dieul De Thiès. Recorded on analog equipment brought to St. Louis, Senegal from France, with the rhythm section recorded live while vocals and horns were tracked in separate booths, the music percolates, complimenting their earlier work without feeling forced or antiquated. Bruce Miller, in his review in RootsWorld. -
Lebeha Drummers formed in 2003 in Hopkins Village in Belize as an after-school program dedicated to nurturing and transmitting the music’s unique percussion, vocals, and dance styles to young Garifuna. Rooted in Garifuna spiritual practices, its energetic percussive character, dance movements, and vocals resonate with other West African and Amerindian genres brought together in a cultural efflorescence inadvertently sparked by the European colonial adventure in the erstwhile New World. Michael Stone, in his review in RootsWorld. -
Sarah Aroeste - Monastir The album "reveals a panoply of styles, sounds, languages and vocalists, all impeccably arranged and produced." - Andrew Cronshaw in his review in RootsWorld Ladino singer/songwriter, author and activist Sarah Aroeste reconnects with the legacy of her Sephardic homeland of Monastir, a Balkan city at the commercial crossroads between Turkey and Western Europe in what is now North Macedonia. For centuries, this Jewish community flourished alongside its neighbors, enjoying a unique history with its own customs, religious observances, linguistic patterns, and songs, until it was destroyed by the Nazis in 1943. The predominantly Macedonian Orthodox and Muslim population of Monastir/Bitola welcomed Aroeste to help her record 10 songs that give an inside look into the life of Jewish Monastir before WWII wiped it out. From kantikas to romances, and from centuries-old melodies to originals, each song in this album has a story, told by over thirty singers and musicians from Israel, Macedonia, Spain, Germany and the USA. -
Trust me? Really trust me? I'll pick out a bigger selection of CDs from who knows where, of who knows what - the kind of music you hear on my show all the time. It's a grab bag - no special requests, just the chance to hear things you might never have heard before. -
Kobo Town: Carnival of the Ghosts Pledge $50
Kobo Town continues to redefine calypso music and pushes the boundaries of the Caribbean sound with its fourth album. Behind the running social commentary and satirical mood, this is a collection of songs about the human condition – about our quirks and foibles, our anxieties and hopes, and the haunting sense of impermanence that imbues our every moment with its urgency and priceless worth. Named after the storied district in Port-of-Spain, Trinidad, where calypso was born, Kobo Town has been described as “an intoxicating blend of lilting calypsonian wit, dancehall reggae and trombone-heavy brass” (The Guardian) and a “unique, transnational composite of rhythm, poetry and activist journalism” (Exclaim!). “Kobo Town conjures an orphic force and reminds the listener of the vanity of all worldly things.” (RootsWorld) Since their founding in 2005, the group has brought their distinct calypso and ska-inspired sound to audiences across the world. -
Trust me? I'll pick out a nice selection of CDs from who knows where, of who knows what - the kind of diverse music you hear on my show all the time. It's a grab bag - no special requests, just the chance to hear things you might never have heard before. Trust me? Good!
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